Final Samples
Within
my final
collection,
consisting of three samples, for the Wallace Sewell brief I have
responded sensitively to colour, structure, and composition in order
to create my own original designs while maintaining enough of Wallace Sewell style to be incorporated with there other collections.
While keeping a connection to Wallace and Sewell's work I have also
managed to relate to the initial painting Barfuesserkirche
I (1924)
by
Lyonel
Feininger. I
feel that the success of this collection is thanks to, firstly, my
use of colour that I rigorously developed at the being of the project
and, secondly, the assemblage of simple structures and Compositions
that I incorporated into my work through research into Wallace Sewell, “Barfuesserkirche”,
and
other designs such as Nancy Middlebrook.
As
I designed this collection for Wallace Sewell's fashion range I
have created a visualization of my design as a scarf. By doing this I
am able to sow how the design changes throughout the main body of the
scarf.
Photoshop products
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