Sunday, 8 February 2015

2.2.7 (SELF) The Face

Initial Image

When beginning the self initiated project it was recommended that we create connections to the live brief (Wallace and Sewell). The connections I have made a quite subtle; firstly I have chosen “The Face” as my theme, inspired by the small figures in Feininger's painting and secondly I plan to use a single image to fuel my entire project. The image I have chosen is one of my own, a simple line drawing of an emotive face.

Luke Dixon (far left), My Inspired Image and strips (all others)

After settling on my main image, my next task has been to dissect it; I have begun this by researching artist that studied the face, and then impose there style on my initial image. As my drawing consists heavily of line elements I first found Luke Dixon, an artists that used line in a different way his work was much more textural than that of my own. I began my response by producing numerous mark making strips and then Photoshoped them onto my original image. The image that had been created by this editing was one I could relate easily to weave. To help me analyze this image further I cut it up revealing only small segments, which gave me an even greater indication to possible structures and weaves.

My Inspired Image and strips (all others), David Szauder (far right)


The next artist I researched was David Szauder, his work starts with realistic images that have then been distorted by code. Although I could not distort mine with code, Photoshop worked very well, I morphed and stretched the image and used a technique that burred the image in a coded fashion. Once again to help me break down the new images I cut them up, the resulting fragments have inspire me to incorporate warp distortion weaving and texture creating techniques such as seersucker into my samples. Also after studying his work I have decided to introduce colour some how, probably through the warp, as I believe this will create stronger visual connections to the face.

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