Thursday, 6 November 2014

2.1.5 Initial Samples

Initial Samples (felted, shrunken, hand washed)


For my initial samples I chose to purely experiment, playing with both pattern and texture, I did not consider composition as I found it to be a distraction while trying to learn to use the floor loom and Scotweave. Within my first sample I have tested different ways to use and combine my pique warp, the result has been an accumulation of floats and figuring. Once I cut off my sample I wanted to experiment with finishing techniques; thus I washed all the samples, shrinking one and felting another. The felting was not very successful as a lot of the detail was lost, the shrinking was also unsuccessful as the long floats did not produce enough texture.


Eleanor Pritchard


From this weeks tutorial session, I gained a lot of guidance in relation to how I should tackle composition. My tutor highlighted to me the weaver Eleanor Pritchard as her work contains high amounts of figuring yet keeps a sense of space, factors that were evident in my earlier drawings. While developing pattern and focusing on shapes for my weaving, I had begun to loose elements of my initial visual research. From this tutorial I have been reminded to look back to early work as a means of inspiration, I am keen to develop new composition utilizing the figuring I have mastered though my initial samples. I am also eager to develop new weaving patterns that capture the texture of my drawings and interoperate Pritchard's sense of space.

Previous Drawings

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