Sunday, 11 May 2014

1.3.11 Concluding Samples


Concluding Samples 

These two final responses, to the Unit X Fairgrounds project, embody collaboration using aspects from both stitch, weave, and print to create there structure, texture, and pattern. In conveying my theme collaboration have been vital due to my multi-themed direction; looking at both thrill rides and the reactions experienced. Stitch has been the foundation for my structural side creating both flowing and robust designs mirroring that of the elaborate thrill rides. Although initially I struggled with weave once I began to experiment with off-loom techniques I immediately saw the potential for texture that resembled symptoms of fear such as itchy, stiff, and Piloerection (Goosebumps).

By having this focus on collaboration within this unit I have learnt a lot about both weave and stitch and the ways in which they can be combined. This focus has been liberating in many aspects, as it has made me see "outside the box" by becoming more experimental in creating samples; not keeping to a strict method or technique. For example I feel that a lot of my textural work contains off-loom weaving through straight line embroidery that reassembles that of a warp and/or weft. I would like to develop this use of collaboration into future projects as it gives me the ability to diversify my work while remaining close to an initial brief.   

Final Inspiration

Above is a collage of my inspiration for these concluding samples; gathered from throughout this unit and all well developed; with influences from designers Matthew Shlian and Mika Barr. 

Wednesday, 7 May 2014

1.3.10 Finalising Designs

Three Dimensional Samples

In my final week of Unit X I have chosen to focus on the collaboration aspect, combining both weave and stitch. I would like to use my final samples as a means of concluding my theme by brining together all my key elements; sculpture, texture, and pattern.  I began this process by looking back through my work and finding shapes and formations that could be translated into three dimensional structures, I have also incorporated Matthew Shlian and Mika Barr's work thorough the repetition and movement I have created in my samples. 

Developed Stitch Samples

After looking back at my work I wanted to re-introduce the liner element that I used to record my initial research, I did this through stitch by working into a screen print and experimenting with quilting. I chose quilting as it related well to my textural aspect, reminding me of the symptoms of fear; goosebumps and erect hair.

Developed Print Designs


My final area of development was pattern, I looked back at Andy Gilmore's work and his overlapping and incorporated into my final sample (far right image). Using aspects from all these developed areas and some of my effective initial samples I will concentrate my theme and designs into a harmonised response.